


Nathan Gray & The Iron Roses "Rebel Songs"
Grayās third solo album Rebel Songs brings him closer to his own truth as both a passionate songwriter and the vulnerable and exposed human that heās become. Once hiding behind the aggressive and in-your-face faƧade as frontman of hardcore stalwarts BoySetsFire, Grayās personal reckoning came with his confrontation of his own painful and past ā he couldnāt just keep pummeling his repressed emotions into submission⦠he had to slow down, dissect and examine it. A victim of sexual assault at the hands of the church (which he is rather open about on stage and in song), he once sublimated the bubbling-under pain and anger into hardcoreās demands for speed and fury. These days, however, he battles his repressed demons by relaying his experience to his audience in a more relatable and therapeutic manner ā though indie rock. āIn my own journey through healing, I started to understand that no one can influence change in the world without turning that inward to heal themselves first. As such, what we do in our own lives influences our political leanings and world view.ā
Rebel Songs is Grayās reaction to not only his own personal past but the cultural and political unrest that infects this country and, on a larger scale, the world. āI think the impetus for the sound and style of Rebel Songs was to get back to my roots on what got me into hardcore in the first place, which was pure and simple punk rock,ā he says of the albumās inspiration. āComing back to that place while redefining myself through my roots was freeing. I grew up listening to The Clash, The Ramones, Fat Boys, RUN DMC, Black Flag and NWA. These artists defined and shaped me. They were there for me during the good times and the horrific times. Taking those inspirations with me into this place of my life and career just make sense.ā
Melding all those music reference points into a 12-track album of fierce and passionate anthems, Gray and his band The Iron Roses takes all the experiences of their collective lives and coalesces it into melting pot of inclusivity. āPeople like me (white men) have to set an example,ā he says of his very conscious decision to make his band as culturally and racially inclusive as possible. āHow would people in the audience experience the show if they didnāt feel represented? The Iron Roses include a trans woman, a black man, a mother of two, pansexuals, bisexuals, CIS straight folks, etc. We represent many, because it is our duty to. It's important to me to create a space to allow others to express themselves on stage by using my own privilege. I'd be full of shit if I didnāt back my words. I see no point in talking about inclusion and diversity, about Black Lives Matter and LGBTQ rights and womenās rights if I didn't back it up. It would be a mockery.ā
This blend creates a fascinating and organic brew of the different corners of rock that he imbues in his album. From the Elvis Costello-esque New Wave of āReckoningā to the anthemic and earnest title track āRebel Songsā (which features friend and Rise Against frontman Tim McIlrath) to balladic album closer āThat Said,ā Rebel Songs covers a lot of ground ā musically and thematically. The reggae and hiphop-infused āLook Aliveā was new ground for him. āIt was the first time I ever tried adding hip-hop influences into my body of work, which was terrifying and invigorating all at once,ā he explains. āIt presented a perfect opportunity to add to the mix my friend Eugenius who had recently sampled one of my old bandās songs. Itās the first song on the album that shows what an insane mix of influences the rest of this album will bring - reggae, punk, hip hop⦠Fuck, itās like a ābuckle upā moment.ā
But Rebel Songs isnāt a preachy album. It admits to being adrift in the feeling of aimless direction and asks for help as well. He tackles this rudderless abandon on the openly unanchored song āLost.ā āThis was the first purely personal song on the album which was a huge shift from the albums prior to this,ā he confesses. āIt speaks to something people donāt acknowledge when speaking on social issues⦠It's okay to admit that you are also lost in the world, but that you are doing the best you can. Itās a personal experience we can all attach to. Itās important to hear this on an album that is socially and politically driven - being vulnerable to say āthis is what I see, and I know I donāt have all the solutions and Iām not always right but I am doing what I can to be better. We should all do that.ā
LIMITED US PRESSING (Iodine Recordings):
250 x IRON ROSE (Blue and White w/ Pink Splatter) - Iodine/Deathwish Exclusive
250 x REBEL (Purple and Black Swirl)
Track Listing:
01. The Reckoning
02. Look Alive
03. Rebel Songs
04. Radio Silence
05. Fired Up
06. Capitol Stairs
07. No Pasaran
08. Million
09. Don't Wait Up
10. Lost
11. Grace
12. That Said
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Description
Grayās third solo album Rebel Songs brings him closer to his own truth as both a passionate songwriter and the vulnerable and exposed human that heās become. Once hiding behind the aggressive and in-your-face faƧade as frontman of hardcore stalwarts BoySetsFire, Grayās personal reckoning came with his confrontation of his own painful and past ā he couldnāt just keep pummeling his repressed emotions into submission⦠he had to slow down, dissect and examine it. A victim of sexual assault at the hands of the church (which he is rather open about on stage and in song), he once sublimated the bubbling-under pain and anger into hardcoreās demands for speed and fury. These days, however, he battles his repressed demons by relaying his experience to his audience in a more relatable and therapeutic manner ā though indie rock. āIn my own journey through healing, I started to understand that no one can influence change in the world without turning that inward to heal themselves first. As such, what we do in our own lives influences our political leanings and world view.ā
Rebel Songs is Grayās reaction to not only his own personal past but the cultural and political unrest that infects this country and, on a larger scale, the world. āI think the impetus for the sound and style of Rebel Songs was to get back to my roots on what got me into hardcore in the first place, which was pure and simple punk rock,ā he says of the albumās inspiration. āComing back to that place while redefining myself through my roots was freeing. I grew up listening to The Clash, The Ramones, Fat Boys, RUN DMC, Black Flag and NWA. These artists defined and shaped me. They were there for me during the good times and the horrific times. Taking those inspirations with me into this place of my life and career just make sense.ā
Melding all those music reference points into a 12-track album of fierce and passionate anthems, Gray and his band The Iron Roses takes all the experiences of their collective lives and coalesces it into melting pot of inclusivity. āPeople like me (white men) have to set an example,ā he says of his very conscious decision to make his band as culturally and racially inclusive as possible. āHow would people in the audience experience the show if they didnāt feel represented? The Iron Roses include a trans woman, a black man, a mother of two, pansexuals, bisexuals, CIS straight folks, etc. We represent many, because it is our duty to. It's important to me to create a space to allow others to express themselves on stage by using my own privilege. I'd be full of shit if I didnāt back my words. I see no point in talking about inclusion and diversity, about Black Lives Matter and LGBTQ rights and womenās rights if I didn't back it up. It would be a mockery.ā
This blend creates a fascinating and organic brew of the different corners of rock that he imbues in his album. From the Elvis Costello-esque New Wave of āReckoningā to the anthemic and earnest title track āRebel Songsā (which features friend and Rise Against frontman Tim McIlrath) to balladic album closer āThat Said,ā Rebel Songs covers a lot of ground ā musically and thematically. The reggae and hiphop-infused āLook Aliveā was new ground for him. āIt was the first time I ever tried adding hip-hop influences into my body of work, which was terrifying and invigorating all at once,ā he explains. āIt presented a perfect opportunity to add to the mix my friend Eugenius who had recently sampled one of my old bandās songs. Itās the first song on the album that shows what an insane mix of influences the rest of this album will bring - reggae, punk, hip hop⦠Fuck, itās like a ābuckle upā moment.ā
But Rebel Songs isnāt a preachy album. It admits to being adrift in the feeling of aimless direction and asks for help as well. He tackles this rudderless abandon on the openly unanchored song āLost.ā āThis was the first purely personal song on the album which was a huge shift from the albums prior to this,ā he confesses. āIt speaks to something people donāt acknowledge when speaking on social issues⦠It's okay to admit that you are also lost in the world, but that you are doing the best you can. Itās a personal experience we can all attach to. Itās important to hear this on an album that is socially and politically driven - being vulnerable to say āthis is what I see, and I know I donāt have all the solutions and Iām not always right but I am doing what I can to be better. We should all do that.ā
LIMITED US PRESSING (Iodine Recordings):
250 x IRON ROSE (Blue and White w/ Pink Splatter) - Iodine/Deathwish Exclusive
250 x REBEL (Purple and Black Swirl)
Track Listing:
01. The Reckoning
02. Look Alive
03. Rebel Songs
04. Radio Silence
05. Fired Up
06. Capitol Stairs
07. No Pasaran
08. Million
09. Don't Wait Up
10. Lost
11. Grace
12. That Said












